orestes, agamemnon, chorus, oedipus, play, electra, aeschylus, clytemnestra, antigone, sophocles, creon, scene, euripides, apollo, aegisthus, cassandra, murder, audience, action, eteocles, lines, oresteia, iphigenia, troy, sacrifice, curse, hecuba, eumenides, thebes, city, erinyes, king, house, speech, dramatic, furies, trilogy, stasimon, clytaemnestra, laius, messenger, words, pylades, oracle, gods, elders, vengeance, justice, fraenkel, herself
1920
The Religious Background of the Prometheus Vinctus. James Alexander Kerr Thomson. Harvard Studies in Classical Philology. (1920), pp. 1-37
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Inorganic RĂ´les in Roman Comedy. Henry W. Prescott. Classical Philology. (Jul., 1920), pp. 245-281
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Unlisted Fragments of Aeschylus. Herbert Weir Smyth. American Journal of Philology. (1920), pp. 101-114
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The Literary Tradition of Gyges and Candaules. Kirby Flower Smith. American Journal of Philology. (1920), pp. 1-37
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The Tauric Maiden and Allied Cults. Clarence Augustus Manning. Transactions and Proceedings of the American Philological Association. (1920), pp. 40-55
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What My Classical Authors Mean to Me. William McC. Martin. Classical Journal. (Jun., 1920), pp. 555-559
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Martial and Formal Literary Criticism. Keith Preston. Classical Philology. (Oct., 1920), pp. 340-352
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The Exposure of Infants at Athens. La Rue van Hook. Transactions and Proceedings of the American Philological Association. (1920), pp. 134-145
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Is the "Octavia" a Play of Seneca?. Arthur Stanley Pease. Classical Journal. (Apr., 1920), pp. 388-403
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Quintilian of Calagurris. E. G. Sihler. American Journal of Philology. (1920), pp. 205-222
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The Beginning of the Fourth Gospel. Paul Haupt. American Journal of Philology. (1920), pp. 177-180
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Orientation of the Dead in Greece and Italy. H. J. Rose. Classical Review. (Nov. - Dec., 1920), pp. 141-146
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Some Features of Ovid's Style: II. The Dramatic Element in the Metamorphoses. Frank J. Miller. Classical Journal. (Apr., 1920), pp. 417-435
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