aristotle, tragedy, poetics, tragic, poetry, plot, pity, comedy, drama, action, poet, imitation, fear, characters, emotions, mimesis, catharsis, dramatic, definition, moral, aristotelian, audience, else, chapter, bywater, pleasure, hamartia, pathos, play, poets, recognition, ethos, kind, emotion, events, fortune, katharsis, plots, emotional, epic, effect, ethical, sense, hero, oedipus, peripeteia, halliwell, gudeman, aesthetic, greek_tragedy
2000
Aristotle's Definition of "Anagnorisis". John MacFarlane. American Journal of Philology. (Autumn, 2000), pp. 367-383
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Aristotle's "Poetics" and the Painters. Graham Zanker. American Journal of Philology. (Summer, 2000), pp. 225-235
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The Social Function of Attic Tragedy: A Response to Jasper Griffin. Richard Seaford. Classical Quarterly. (2000), pp. 30-44
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Tragic History and Barbarian Speech in Sallust's "Jugurtha". Casey Dué. Harvard Studies in Classical Philology. (2000), pp. 311-325
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The Subjection of Muthos to Logos: Plato's Citations of the Poets. S. Halliwell. Classical Quarterly. (2000), pp. 94-112
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Plausibility in the Greek Orators. Thomas A. Schmitz. American Journal of Philology. (Spring, 2000), pp. 47-77
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"Dream of a Shade": Refractions of Epic Vision in Pindar's "Pythian 8" and Aeschylus' "Seven against Thebes". Gregory Nagy. Harvard Studies in Classical Philology. (2000), pp. 97-118
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Ovid's Narcissus (Met. 3.339-510): Echoes of Oedipus. Ingo Gildenhard, Andrew Zissos. American Journal of Philology. (Spring, 2000), pp. 129-147
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Deianira's Guilt. Edwin Carawan. Transactions of the American Philological Association. (2000), pp. 189-237
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Altruism. David Konstan. Transactions of the American Philological Association. (2000), pp. 1-17
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Drama and Dromena: Bloodshed, Violence, and Sacrificial Metaphor in Euripides. Albert Henrichs. Harvard Studies in Classical Philology. (2000), pp. 173-188
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Plutarch's Lysander and Sulla: Integrated Characters in Roman Historical Perespective. José María Candau Morón. American Journal of Philology. (Autumn, 2000), pp. 453-478
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Cleon's Hidden Appeals (Thucydides 3.37-40). James A. Andrews. Classical Quarterly. (2000), pp. 45-62
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Musai Hypophetores: Apollonius of Rhodes on Inspiration and Interpretation. José M. González. Harvard Studies in Classical Philology. (2000), pp. 268-292
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Socrates Plays the Buffoon: Cautionary Protreptic in "Euthydemus". Ann N. Michelini. American Journal of Philology. (Winter, 2000), pp. 509-535
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Subject Reviews. Stephen Halliwell, Monica R. Gale, Hans Van Wees, Barbara Levick, Nigel Spivey, P. Walcot. Greece & Rome. (Apr., 2000), pp. 102-132
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The Poet's Fiction: Virgil's Praise of the Farmer, Philosopher, and Poet at the End of "Georgics 2". Leah J. Kronenberg. Harvard Studies in Classical Philology. (2000), pp. 341-360
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Subject Reviews. Stephen Halliwell, Monica R. Gale, Hans Van Wees, Barbara Levick, Nigel Spivey, Richard Wallace, P. Walcot. Greece & Rome. (Oct., 2000), pp. 237-273
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Neolithic Statues from 'Ain Ghazal: Construction and Form. Carol A. Grissom. American Journal of Archaeology. (Jan., 2000), pp. 25-45
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Inspirational Fictions: Autobiography and Generic Reflexivity in Ovid's Proems. Ingo Gildenhard, Andrew Zissos. Greece & Rome. (Apr., 2000), pp. 67-79
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The Political Character of Aristotelian Reciprocity. Gabriel Danzig. Classical Philology. (Oct., 2000), pp. 399-424
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Form vs. Function in Ovid's "Remedia Amoris". Christopher Brunelle. Classical Journal. (Dec., 2000 - Jan., 2001), pp. 123-140
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Father of the Dogs? Tracking the Cynics in Plato's Euthydemus. Sara Rappe. Classical Philology. (Jul., 2000), pp. 282-303
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The Oracles of Sophocles' "Trachiniae": Convergence or Confusion?. Charles Segal. Harvard Studies in Classical Philology. (2000), pp. 151-171
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Alcestis' Double Life. Jennifer J. Dellner. Classical Journal. (Oct. - Nov., 2000), pp. 1-25
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