painting, collection, paintings, madonna, works, portrait, artist, church, master, italian, cathedral, attributed, burl, drawings, representing, frescoes, giovanni, fifteenth_century, florence, pictures, influence, early, virgin, painted, painter, christ, acquired, gallery, artists, francesco, sixteenth_century, rass, renaissance, panel, sculptures, italy, chapel, raphael, louvre, saints, relief, panels, leonardo, signed, portraits, fresco, fourteenth_century, represents, pietro, andrea
1964
Another Prototype for the Gigantomachy of Pergamon. Seymour Howard. American Journal of Archaeology. (Apr., 1964), pp. 129-136
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Siparium in Quintilian, and the Frontispiece of the Vatican Terence. D. M. Gaunt. Classical Review. (Jun., 1964), pp. 133-135
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Greek, Etruscan, and Roman Sculptures in the Museum of Fine Arts, Boston. Cornelius Vermeule. American Journal of Archaeology. (Oct., 1964), pp. 323-341
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The Class of '64. Gilbert Highet. The Classical World. (Sep., 1964), pp. 1-4+6
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Ovid's Metamorphoses: Violence in a Pastoral Landscape. Hugh Parry. Transactions and Proceedings of the American Philological Association. (1964), pp. 268-282
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The Differentiation of Art in Plato's Aesthetics. Joseph P. Maguire. Harvard Studies in Classical Philology. (1964), pp. 389-410
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News Letter from Rome. A. W. van Buren. American Journal of Archaeology. (Oct., 1964), pp. 371-385
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Brief Reviews. E. R. A. S.. Greece & Rome. (Oct., 1964), pp. 196-204
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Petrarch's Greek Codex of Plato. Aubrey Diller. Classical Philology. (Oct., 1964), pp. 270-272
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