painting, collection, paintings, madonna, works, portrait, artist, church, master, italian, cathedral, attributed, burl, drawings, representing, frescoes, giovanni, fifteenth_century, florence, pictures, influence, early, virgin, painted, painter, christ, acquired, gallery, artists, francesco, sixteenth_century, rass, renaissance, panel, sculptures, italy, chapel, raphael, louvre, saints, relief, panels, leonardo, signed, portraits, fresco, fourteenth_century, represents, pietro, andrea
2004
Archaeology as the History of Cultural Property. Ann-Marie Knoblauch. The Classical World. (Winter, 2004), pp. 179-193
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A Course on the Afterlife of Plato's "Symposium". J. H. Lesher. Classical Journal. (Oct. - Nov., 2004), pp. 75-85
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A Roman Bath-House at Duntocher on the Antonine Wall. Lawrence Keppie. Britannia. (2004), pp. 179-224
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Arminius into Hermann: History into Legend. Herbert W. Benario. Greece & Rome. (Apr., 2004), pp. 83-94
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Centaurs in Love and War: Cyllarus and Hylonome in Ovid "Metamorphoses" 12.393-428. Jeri Blair DeBrohun. American Journal of Philology. (Autumn, 2004), pp. 417-452
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Early Roman Mosaic Materials in Southern Britain, with Particular Reference to Silchester (Calleva Atrebatum): A Regional Geological Perspective. J. R. L. Allen, M. G. Fulford. Britannia. (2004), pp. 9-38
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Matter in Plotinus's Normative Ontology. Christian Schäfer. Phronesis. (2004), pp. 266-294
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Subject Reviews. Stephen Halliwell, D. E. Hill, Thomas Harrison, Barbara Levick, Nigel Spivey, Richard Gordon, Elinor Keane, Christopher Burnand, Katherine Clarke. Greece & Rome. (Oct., 2004), pp. 252-282
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