painting, collection, paintings, madonna, works, portrait, artist, church, master, italian, cathedral, attributed, burl, drawings, representing, frescoes, giovanni, fifteenth_century, florence, pictures, influence, early, virgin, painted, painter, christ, acquired, gallery, artists, francesco, sixteenth_century, rass, renaissance, panel, sculptures, italy, chapel, raphael, louvre, saints, relief, panels, leonardo, signed, portraits, fresco, fourteenth_century, represents, pietro, andrea
1981
"Aeneid" 2 and Picasso's "Guernica": Suggestions for a Sound and Slide Presentation. Vincent J. Cleary. Classical Journal. (Dec., 1981 - Jan., 1982), pp. 173-177
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The Painted Metopes at Lefkadia and the Problem of Color in Doric Sculptured Metopes. Vincent J. Bruno. American Journal of Archaeology. (Jan., 1981), pp. 3-11
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Eighty-Second General Meeting of the Archaeological Institute of America. American Journal of Archaeology. (Apr., 1981), pp. 182-225
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October Horse. C. Bennett Pascal. Harvard Studies in Classical Philology. (1981), pp. 261-291
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New Evidence for the Dating of the Calendar at Santa Maria Maggiore in Rome. M. R. Salzman. Transactions of the American Philological Association. (1981), pp. 215-227
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Coin Hoards from the Gymnasium Area at Corinth. James A. Dengate. Hesperia. (Apr. - Jun., 1981), pp. 147-188
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Roman Inscriptions 1976-80. Joyce Reynolds, Mary Beard, Richard Duncan-Jones, Charlotte Roueché. Journal of Roman Studies. (1981), pp. 121-143
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Subject and Artist: Studies in Roman Portraiture of the Third Century. Susan Wood. American Journal of Archaeology. (Jan., 1981), pp. 59-68
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The Unique Worlds of the "Timaeus". Richard Patterson. The Phoenix. (Summer, 1981), pp. 105-119
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The Fall of Boethius and the Fiction of the "Consolatio Philosophiae". Edmund Reiss. Classical Journal. (Oct. - Nov., 1981), pp. 37-47
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