dance, music, song, dancing, chorus, lyre, musical, performance, songs, singing, dances, choral, sing, dancers, dithyramb, aulos, sung, performed, instrument, flute, dancer, muses, solo, voice, lawler, opera, choruses, hymn, dithyrambic, lillian, accompaniment, athenaeus, barbitos, instruments, sound, lasus, hyporcheme, playing, pantomime, an_opera, ballet, harmonia, harp, pyrrhic, sirens, hyperion, singers, muse, nomos, mundi
1916
The Chorus of Euripides. Aristides Evangelus Phoutrides. Harvard Studies in Classical Philology. (1916), pp. 77-170
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The Early Days of Ballet: A Comparison. Shirley Smith. Classical Journal. (Oct., 1916), pp. 57-65
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The Technical Vocabulary of Dance and Song. F. A. Wright. Classical Review. (Feb., 1916), pp. 9-10
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The Eighteenth Century in Latin Verse. D. M. Low. Classical Review. (Feb., 1916), pp. 10-15
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The Origin of Greek Tragedy in the Light of Dramatic Technique. Donald Clive Stuart. Transactions and Proceedings of the American Philological Association. (1916), pp. 173-204
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The Head of John Baptist. τίνος πρόσωπον δη τ' ἐν ἀγκάλαις ἔχεις; (Eur. Bacch. 1277). Jane Harrison. Classical Review. (Dec., 1916), pp. 216-219
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A Consideration of Some Modern Versions of the Harmodius Hymn. Charles Christopher Mierow. The Classical Weekly. (Jan. 8, 1916), pp. 82-86
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Hesiodic Reminiscences in the "Ascraean" of Kostes Palamas. Aristides Evangelus Phoutrides. Classical Journal. (Dec., 1916), pp. 164-175
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Clement of Alexandria's Protrepticvs and the Phaedrvs of Plato [Clement of Alexandria's Protrepticus and the Phaedrus of Plato]. G. W. Butterworth. Classical Quarterly. (Oct., 1916), pp. 198-205
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ΜΟϒΣΕΙΑ ΛΟΓΩΝ. A. S. Ferguson. Classical Review. (Dec., 1916), pp. 213-216
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The Prosecution of Murena. Richard Wellington Husband. Classical Journal. (Nov., 1916), pp. 102-118
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The Opening Scene of the Iphigenia in Aulis. J. E. Harry. Classical Review. (Feb., 1916), pp. 8-9
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The Dorchester Experiment in Vocational Latin: A Report of Progress. Albert S. Perkins. Classical Journal. (Nov., 1916), pp. 131-144
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Some Features of Ovid's Style: I. Personification of Abstractions. Frank J. Miller. Classical Journal. (Jun., 1916), pp. 516-534
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The Formal Beauty of the Hercvles Fvrens. [The Formal Beauty of the Hercules Furens]. J. T. Sheppard. Classical Quarterly. (Apr., 1916), pp. 72-79
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Ἡ Ὀλολυγών -- What Was It?. Samuel Grant Oliphant. Transactions and Proceedings of the American Philological Association. (1916), pp. 85-106
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Archaeological Discussions. William N. Bates. American Journal of Archaeology. (Apr. - Jun., 1916), pp. 213-265
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Three as a Magic Number in Latin Literature. Eugene Tavenner. Transactions and Proceedings of the American Philological Association. (1916), pp. 117-143
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A Defense of Horace. H. Rushton Fairclough. Classical Journal. (May, 1916), pp. 454-465
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The Origin of the Shape of the "Nolan" Amphora. Stephen Bleecker Luce, Jr.. American Journal of Archaeology. (Oct. - Dec., 1916), pp. 439-474
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The Origin of the Indo-European Nominal Stem-Suffixes: Part II. Walter Petersen. American Journal of Philology. (1916), pp. 255-281
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ΤΥΧΗ ΠΡΟΛΟΓΙΖΟΥΣΑ, and the Identification of the Speaker of the Prologue. Clifford Herschel Moore. Classical Philology. (Jan., 1916), pp. 1-10
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A Forgotten Champion of the Classics. Fred Irland. The Classical Weekly. (Feb. 12, 1916), pp. 121-122
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The Problem of Byzantine Neumes. H. J. W. Tillyard. American Journal of Archaeology. (Jan. - Mar., 1916), pp. 62-71
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[Editorial: An Questions in Cicero, Cat. 1.2-3 Etc.]. Charles Knapp. The Classical Weekly. (Oct. 9, 1916), pp. 9-11
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The Sources of the "Odyssey". John A. Scott. Classical Journal. (Nov., 1916), pp. 119-130
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Compound Adjectives in Early Latin Poetry. Cornelia C. Coulter. Transactions and Proceedings of the American Philological Association. (1916), pp. 153-172
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