dance, music, song, dancing, chorus, lyre, musical, performance, songs, singing, dances, choral, sing, dancers, dithyramb, aulos, sung, performed, instrument, flute, dancer, muses, solo, voice, lawler, opera, choruses, hymn, dithyrambic, lillian, accompaniment, athenaeus, barbitos, instruments, sound, lasus, hyporcheme, playing, pantomime, an_opera, ballet, harmonia, harp, pyrrhic, sirens, hyperion, singers, muse, nomos, mundi
2003
An Early Fifth-Century Athenian Revolution in Aulos Music. Robert W. Wallace. Harvard Studies in Classical Philology. (2003), pp. 73-92
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Choral Identity in Greek Tragedy. Helene Foley. Classical Philology. (Jan., 2003), pp. 1-30
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The Pindaric Sources of Horace "Odes 1.12". Alex Hardie. Harvard Studies in Classical Philology. (2003), pp. 371-404
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Gnesippus and the Rivals of Aristophanes. J. H. Hordern. Classical Quarterly. (Nov., 2003), pp. 608-613
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Text and Interpretation of "Philebus" 56a. E. Kerr Borthwick. Classical Philology. (Jul., 2003), pp. 274-280
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Metamorphoses and Metamorphosis: A Brief Response. David H. Porter. American Journal of Philology. (Autumn, 2003), pp. 473-476
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Alcestis: Euripides to Ted Hughes. L. P. E. Parker. Greece & Rome. (Apr., 2003), pp. 1-30
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Beyond Satire: Horace, Popular Invective and the Segregation of Literature. I. A. Ruffell. Journal of Roman Studies. (2003), pp. 35-65
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Aristophanes in Philadelphia: The "Acharnians" of 1886. Lee T. Pearcy. The Classical World. (Spring, 2003), pp. 299-313
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Dido as Vatic Diva: A New Voice for the Persona of the Lost Lover. R. Alden Smith. Classical Journal. (Apr. - May, 2003), pp. 433-436
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Polyaenus on Iphicrates. David Whitehead. Classical Quarterly. (Nov., 2003), pp. 613-616
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Roman Inscriptions 1995-2000. Richard Gordon, Joyce Reynolds. Journal of Roman Studies. (2003), pp. 212-294
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Mapping Phleious: Politics and Myth-Making in Bacchylides 9. David Fearn. Classical Quarterly. (Nov., 2003), pp. 347-367
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Du vin pour le Collège de veille? Mise en lumière d'un lien occulté entre le Choeur de Dionysos et le νυκτερινὸς σύλλογος dans les Lois de Platon. Annie Larivée. Phronesis. (2003), pp. 29-53
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The Mirror of the Present. Dilys Powell. Greece & Rome. (2003), pp. 237-249
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Can Vergil Cry? Epicureanism in Horace Odes 1.24. Philip Thibodeau. Classical Journal. (Feb. - Mar., 2003), pp. 243-256
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Subject Reviews. Stephen Halliwell, D. E. Hill, Hans Van Wees, Barbara Levick, Nigel Spivey, George Boys-Stones, Christopher Burnand, Katherine Clarke. Greece & Rome. (Apr., 2003), pp. 102-138
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Clearing up Some Confusion in Callias' "Alphabet Tragedy": How to Read Sophocles "Oedipus Tyrannus" 332-33 et al.. Joseph A. Smith. Classical Philology. (Oct., 2003), pp. 313-329
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Teaching and Learning in Classical Athens. T. E. Rihll. Greece & Rome. (Oct., 2003), pp. 168-190
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Locking-in and Locking-out Lydia: Lyric Form and Power in Horace's C. I.25 and III.9. Timothy S. Johnson. Classical Journal. (Dec., 2003 - Jan., 2004), pp. 113-134
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Ovidian Plumbing in "Metamorphoses" 4. Robert Shorrock. Classical Quarterly. (Nov., 2003), pp. 624-627
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Still Yearns My Heart. Robert Runcie. Greece & Rome. (2003), pp. 226-236
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Comic Invention and Superstitious Frenzy in Apuleius' Metamorphoses: The Figure of Socrates as an Icon of Satirical Self-Exposure. Wytse H. Keulen. American Journal of Philology. (Spring, 2003), pp. 107-135
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Subversive Laughter: The Sayings of Courtesans in Book 13 of Athenaeus' Deipnosophistae. Laura McClure. American Journal of Philology. (Summer, 2003), pp. 259-294
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Cultural and Political Changes in the 4th and 5th Centuries. Ramsay MacMullen. Historia: Zeitschrift fur Alte Geschichte. (2003), pp. 465-495
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The Conferences. Philip Hooker. Greece & Rome. (2003), pp. 169-182
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What Poets Do: Tibullus on "Easy" Hands. David Wray. Classical Philology. (Jul., 2003), pp. 217-250
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"Pallakai," Prostitutes, and Prophetesses. Stephanie Lynn Budin. Classical Philology. (Apr., 2003), pp. 148-159
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The Recent History of the CA. Malcolm Schofield. Greece & Rome. (2003), pp. 67-103
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The Epicurean Morality of Vergil's "Bucolics". John Rundin. The Classical World. (Winter, 2003), pp. 159-176
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Critical Studies in the Cantica of Sophocles: III. Electra, Philoctetes, Oedipus at Colonus. C. W. Willink. Classical Quarterly. (May, 2003), pp. 75-110
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Transformations of Colonial Disruption into Narratuve Continuity in Pindar's Epinician Odes. Lucia Athanassaki. Harvard Studies in Classical Philology. (2003), pp. 93-128
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Aesthetics and Recall: Callimachus frs. 226-9 Pf. Reconsidered. Benjamin Acosta-Hughes. Classical Quarterly. (Nov., 2003), pp. 478-489
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