petronius, trimalchio, satyricon, encolpius, aristoxenus, cena, eumolpus, juvenal, tone, musical, intervals, diatonic, octave, interval, pitch, enharmonic, modes, instrument, instruments, pipes, scales, chromatic, tetrachord, damon, music, pipe, tones, sullivan, string, aulos, mese, ptolemy, aristides, tube, trimalchionis, kircher, strings, mode, tetrachords, giton, cents, mouth-piece, finger-holes, satire, cleonides, notation, satiricon, ethos, reed, walsh
1942
The Growth of the Greek 'Apmoniai. M. I. Henderson. Classical Quarterly. (Oct., 1942), pp. 94-103
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Werewolves and "Ghost Words" in Petronius: matavita tau. Stanford M. Miller. Classical Philology. (Jul., 1942), pp. 319-321
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Eratosthenes as Platonist and Poet. Friedrich Solmsen. Transactions and Proceedings of the American Philological Association. (1942), pp. 192-213
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Pythagoras and Musical Concords. William H. Stahl. The Classical Weekly. (Oct. 5, 1942), pp. 5
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Two Notes on Cratylus. George B. Hussey. The Classical Weekly. (Apr. 27, 1942), pp. 243-244
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The Villa and Tomb of Lucullus at Tusculum. George McCracken. American Journal of Archaeology. (Jul. - Sep., 1942), pp. 325-340
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Rhythm, Metre, and Black Magic. H. D. F. Kitto. Classical Review. (Nov., 1942), pp. 99-108
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Notes on Aeschylus. Campbell Bonner. Classical Philology. (Jul., 1942), pp. 263-274
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Astronomy and Geography in Macrobius. William Harris Stahl. Transactions and Proceedings of the American Philological Association. (1942), pp. 232-258
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Exit Monologues in Roman Comedy. Henry W. Prescott. Classical Philology. (Jan., 1942), pp. 1-21
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The Appreciation of Latin Poetry. A. K. Clarke. Greece & Rome. (Feb., 1942), pp. 49-58
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