petronius, trimalchio, satyricon, encolpius, aristoxenus, cena, eumolpus, juvenal, tone, musical, intervals, diatonic, octave, interval, pitch, enharmonic, modes, instrument, instruments, pipes, scales, chromatic, tetrachord, damon, music, pipe, tones, sullivan, string, aulos, mese, ptolemy, aristides, tube, trimalchionis, kircher, strings, mode, tetrachords, giton, cents, mouth-piece, finger-holes, satire, cleonides, notation, satiricon, ethos, reed, walsh
1960
The Musical Setting of Euripides' Orestes. Douglas D. Feaver. American Journal of Philology. (Jan., 1960), pp. 1-15
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Cena Trimalchionis 35. 7: Hoc est ius cenae. William T. Avery. Classical Philology. (Apr., 1960), pp. 115-118
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The Criminal Dossier of Encolpius. Roger Pack. Classical Philology. (Jan., 1960), pp. 31-32
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Neopythagoreanism and Mathematical Symmetry in Lucan, De bello civili 1. Robert J. Getty. Transactions and Proceedings of the American Philological Association. (1960), pp. 310-323
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Imagery in the Satires of Horace and Juvenal. William S. Anderson. American Journal of Philology. (Jul., 1960), pp. 225-260
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Neglected Hyperbole in Juvenal. E. L. Harrison. Classical Review. (Jun., 1960), pp. 99-101
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On Fakes and Forgeries. Gilbert Bagnani. The Phoenix. (Winter, 1960), pp. 228-244
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The Factotum: Some Varieties of the Latin Hexameter. Harry C. Schnur. The Classical World. (Feb., 1960), pp. 153-157
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Recent Scholarship on Seneca's Prose Works, 1940-1957. Anna Lydia Motto. The Classical World. (Oct., 1960), pp. 13-18
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A Brief Introduction to New Testament Greek. J. H. Morgan. The Classical World. (Dec., 1960), pp. 77-81+105-106
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The Structure of Juvenal's Fourteenth "Satire". Edward N. O'Neil. Classical Philology. (Oct., 1960), pp. 251-253
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