petronius, trimalchio, satyricon, encolpius, aristoxenus, cena, eumolpus, juvenal, tone, musical, intervals, diatonic, octave, interval, pitch, enharmonic, modes, instrument, instruments, pipes, scales, chromatic, tetrachord, damon, music, pipe, tones, sullivan, string, aulos, mese, ptolemy, aristides, tube, trimalchionis, kircher, strings, mode, tetrachords, giton, cents, mouth-piece, finger-holes, satire, cleonides, notation, satiricon, ethos, reed, walsh
2004
Virgil "Bucolics" 1.1-2 and Interpretive Tradition: A Latin (Roman) Program for a Greek Genre. John B. Van Sickle. Classical Philology. (Oct., 2004), pp. 336-353
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Making Water Not Love: Apuleius, "Metamorphoses" 1.13-14. Lindsay Watson. Classical Quarterly. (Dec., 2004), pp. 651-655
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The Correspondence of Gilbert Highet and Cyril Bailey. Robert J. Ball. The Classical World. (Autumn, 2004), pp. 30-60
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Nocturnal Writers in Imperial Rome: The Culture of "Lucubratio". James Ker. Classical Philology. (Jul., 2004), pp. 209-242
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Insult and Oral Excess in the Disputes between Aeschines and Demosthenes. Nancy Worman. American Journal of Philology. (Spring, 2004), pp. 1-25
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Documentary Evidence, Literary Forgery, or Manipulation of Historical Documents? Diogenes Laertius and an Athenian Honorary Decree for Zeno of Citium. Matthias Haake. Classical Quarterly. (Dec., 2004), pp. 470-483
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Authorial Voice and Theatrical Self-Definition in Terence and beyond: The "Hecyra" Prologues in Ancient and Modern Contexts. Ismene Lada-Richards. Greece & Rome. (Apr., 2004), pp. 55-82
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City Patronesses in the Roman Empire. Emily A. Hemelrijk. Historia: Zeitschrift fur Alte Geschichte. (2004), pp. 209-245
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Waterscape with Black and White: Epigrams, Cycles, and Webs in Martial's "Epigrammaton Liber Quartus". Sven Lorenz. American Journal of Philology. (Summer, 2004), pp. 255-278
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