petronius, trimalchio, satyricon, encolpius, aristoxenus, cena, eumolpus, juvenal, tone, musical, intervals, diatonic, octave, interval, pitch, enharmonic, modes, instrument, instruments, pipes, scales, chromatic, tetrachord, damon, music, pipe, tones, sullivan, string, aulos, mese, ptolemy, aristides, tube, trimalchionis, kircher, strings, mode, tetrachords, giton, cents, mouth-piece, finger-holes, satire, cleonides, notation, satiricon, ethos, reed, walsh
1959
ΚΑΤΑΛΗΨΙΣ-A Neglected Technical Term in Greek Music. E. K. Borthwick. Classical Quarterly. (May, 1959), pp. 23-29
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The Form and Purpose of Juvenal's Seventh "Satire". W. C. Helmbold, E. N. O' Neil. Classical Philology. (Apr., 1959), pp. 100-108
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The Title of Petronius' Novel. E. Adelaide Hahn, Harry C. Schnur. The Classical World. (Nov., 1959), pp. 54+65
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Amplification and High Fidelity in the Greek Theater. Henry C. Montgomery. Classical Journal. (Mar., 1959), pp. 242-245
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Latin Epigraphy and the New "Album of Dated Latin Inscriptions". Gilbert Bagnani. The Phoenix. (Spring, 1959), pp. 13-22
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Silius Punica 6. 1-53. Edward L. Bassett. Classical Philology. (Jan., 1959), pp. 10-34
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What Was the Linea Dives (Martial, VIII, 78, 7)?. J. F. Killeen. American Journal of Philology. (1959), pp. 185-188
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Virgil and the Wooden Horse. R. G. Austin. Journal of Roman Studies. (1959), pp. 16-25
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A Visit to Virgil's Country. A. J. Gossage. Greece & Rome. (Mar., 1959), pp. 86-89
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