petronius, trimalchio, satyricon, encolpius, aristoxenus, cena, eumolpus, juvenal, tone, musical, intervals, diatonic, octave, interval, pitch, enharmonic, modes, instrument, instruments, pipes, scales, chromatic, tetrachord, damon, music, pipe, tones, sullivan, string, aulos, mese, ptolemy, aristides, tube, trimalchionis, kircher, strings, mode, tetrachords, giton, cents, mouth-piece, finger-holes, satire, cleonides, notation, satiricon, ethos, reed, walsh
1993
The Romance of the Novel. E. L. Bowie, S. J. Harrison. Journal of Roman Studies. (1993), pp. 159-178
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The Harmonious Pulse. Leofranc Holford-Strevens. Classical Quarterly. (1993), pp. 475-479
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Evidence from Experimental Psychology for the Rhythm and Metre of Greek Verse. A. M. Devine, Laurence D. Stephens. Transactions of the American Philological Association. (1993), pp. 379-403
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Parody and Later Greek Comedy. Heinz-Günther Nesselrath. Harvard Studies in Classical Philology. (1993), pp. 181-195
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Deep Ambivalence: Notes on a Greek Cockfight (Parts II-IV). Eric Csapo. The Phoenix. (Summer, 1993), pp. 115-124
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Witwen in der Griechischen Antike: zwischen Oikos und Polis. Linda-Marie Günther. Historia: Zeitschrift fur Alte Geschichte. (3rd Qtr., 1993), pp. 308-325
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Subject to Emotion: Exploring Madness in Orestes. Z. Theodorou. Classical Quarterly. (1993), pp. 32-46
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A Survey of Suetonius Scholarship, 1938-1987. D. Thomas Benediktson. The Classical World. (May - Jun., 1993), pp. 377-447
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Notes on Ovid, Heroides 20 and 21. P. A. M. Thompson. Classical Quarterly. (1993), pp. 258-265
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Overlapping Verbs, Concvbare and Concvmbere. Saul Levin. The Classical World. (Nov. - Dec., 1993), pp. 52
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Women and Sacrifice in Classical Greece. Robin Osborne. Classical Quarterly. (1993), pp. 392-405
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Proleptic Composition in the Republic, or Why Book 1 Was Never a Separate Dialogue. Charles H. Kahn. Classical Quarterly. (1993), pp. 131-142
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